This space is a living altar.

The plants speak to growth, care, and the act of tending to yourself daily. The graffiti-painted pots ground that softness in realness—culture, expression, and the environments that shape us. The chair sits at the center like a throne, waiting to hold whoever is ready to step into their fullness.

In its sepia form, the composition references Huey P. Newton’s portrait—turning this empty seat into an invitation to embody power, history, and presence.

It asks a simple question:

Can you sit with all parts of yourself?